Rabu, 29 Juli 2015

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Available in English for the very first time, In the Kitchen with Alain Passard is the first graphic novel to enter the kitchen of a master chef. Over the course of three years, illustrator Christophe Blain trailed acclaimed chef Alain Passard through his kitchens and gardens. With simple yet sublime drawings and thousands of colorful panels, this book gives the reader an inside, uncensored look at the world of Passard, who shocked the food universe in 2001 by removing meat from the menu at his celebrated Paris restaurant, L'Arpege, and dedicating himself to serving vegetables from his own organic farms. This irresistible hardcover combines a portrait of an amazing chef, an inside look at his creative process, and a humorous riff on fine dining culture—plus fifteen recipes for the home kitchen—in one haute cuisine comic book for foodies!

  • Sales Rank: #266997 in eBooks
  • Published on: 2013-05-07
  • Released on: 2013-05-07
  • Format: Kindle eBook

Review
"Until I eat at Alain Passard's veg-centric L'Arpege in Paris (it's on my short list), I'll just keep rereading the fun and informative graphic novel In the Kitchen with Alain Passard." -- Andrew Knowlton, Bon Appetit magazine

"I was prepared to enjoy it a lot, as the rare conjunction of two of my passions. I was not prepared to be quite so smitten with it as I was. With his minimalistic and dynamic drawing style, Blain is incredibly successful in conveying the energy and emotion of each passage, as he watches Passard cook, chats with members of his crew, or visits the chef's famous vegetable gardens. -- Clotilde Dusoulier, Chocolate & Zucchini

About the Author
Christophe Blain is the award–winning creator and illustrator of several successful French graphic novel series. He lives in Paris.

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6 of 6 people found the following review helpful.
A passion for food captured with details that a cookbook or memoir may miss
By A. Whitney
I'm not one to follow celebrity chefs, but I picked this up because it seemed a novel concept. A French illustrator goes behind the scenes to capture the essence of a great chef. The subhead " Inside the World (and Mind) of a Master Chef" is apt as this isn't a memoir or an illustrated cookbook, it's a collection of snapshots from Passard's everyday life in the kitchen with peeks into his techniques, philosophy, and thought process behind preparing and enjoying food.

There are 15 recipes from Passard himself. Facing the recipe is the illustrated look at how he prepares them complete with dialog (Passard's commentary) that gives insight into the process. While a recipe may call for a simple directive ("sauté in butter") the illustration may contain some illuminating technique in Passard's dialog ("Turn the pan in your hands to make sure it's the right temperature"). Christophe Blain's illustration convey lots of movement and even a bit of humor.

This is a relatively short book to read, but unique and enjoyable. A fun gift for a foodie friend.

2 of 2 people found the following review helpful.
Don't get this for Kindle. You won't be able to read it.
By Ann Fisher
This book, with its cartoon graphics, simply cannot be read on a kindle, or even on-line on a laptop. I'm sure it's a lovely book, but it doesn't work as an electronic version.

1 of 1 people found the following review helpful.
I'm not sure if I would have enjoyed the book as much as I did if I ...
By jaycmiller@aol.com
A book of considerable charm, I bought it while eating lunch at l'Arpege. I'm not sure if I would have enjoyed the book as much as I did if I hadn't been to restaurant but it gives good insight into what makes l'Arpege one of the finest dining experiences in the world. After eating there I already knew he was a genius but this shows how much work and obsessive attention to detail from so many people leads to those work of genius on the plate.

Also, so far I've made one of the recipes (Petit Poits and Pink Grapefruit) and it worked well. I'm sure it would have been much, much better with the vegetables from his garden and the skills of his staff but even with my basic home cook skills and grocery store ingredients it was very good with the flavors marrying beautifully in unexpected ways.

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Senin, 27 Juli 2015

# Download Ebook The Oxford Handbook of Credit Derivatives (Oxford Handbooks), by Alexander Lipton, Andrew Rennie

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From the late 1990s, the spectacular growth of a secondary market for credit through derivatives has been matched by the emergence of mathematical modelling analysing the credit risk embedded in these contracts. This book aims to provide a broad and deep overview of this modelling, covering statistical analysis and techniques, modelling of default of both single and multiple entities, counterparty risk, Gaussian and non-Gaussian modelling, and securitisation. Both
reduced-form and firm-value models for the default of single entities are considered in detail, with extensive discussion of both their theoretical underpinnings and practical usage in pricing and risk. For multiple entity modelling, the now notorious Gaussian copula is discussed with analysis of its
shortcomings, as well as a wide range of alternative approaches including multivariate extensions to both firm-value and reduced form models, and continuous-time Markov chains. One important case of multiple entities modelling - counterparty risk in credit derivatives - is further explored in two dedicated chapters. Alternative non-Gaussian approaches to modelling are also discussed, including extreme-value theory and saddle-point approximations to deal with tail risk. Finally, the recent
growth in securitisation is covered, including house price modelling and pricing models for asset-backed CDOs. The current credit crisis has brought modelling of the previously arcane credit markets into the public arena. Lipton and Rennie with their excellent team of contributors, provide a timely
discussion of the mathematical modelling that underpins both credit derivatives and securitisation. Though technical in nature, the pros and cons of various approaches attempt to provide a balanced view of the role that mathematical modelling plays in the modern credit markets. This book will appeal to students and researchers in statistics, economics, and finance, as well as practitioners, credit traders, and quantitative analysts

  • Sales Rank: #2158078 in eBooks
  • Published on: 2013-01-17
  • Released on: 2013-01-17
  • Format: Kindle eBook

Review
Review from previous edition: "If ever there was an area in quantitative finance that needed some penetrating light cast on it, it would be the arcane world of credit derivatives. This valuable collection of top-notch contributions from the foremost experts in the field does just that: it illuminates its subject with great clarity and breadth, and deserves to remain a standard reference for years to come. I commend the editors for their selection and organization of topics, and highly recommend this book" --Leif Andersen, Co-head of Global Quant Group, Bank of America Merrill Lynch

"Alex Lipton and Andrew Rennie, seasoned and well-respected experts in the field, have done an excellent job of gathering contributions from some of the best experts in the field to provide a comprehensive overview of existing frameworks and directions of research in credit risk modeling. This handbook provides valuable insights to practitioners, regulators and scholars involved with credit derivatives credit risk management and will doubtlessly become a reference on this topic." --Rama Cont, Associate Professor, Columbia University, New York

"This book provides a wide-ranging survey of the state-of-the-art of credit derivatives. Including contributions from leading practitioners, academics and commentators it describes the theory and practice of these instruments which have reshaped the financial industry in recent years and which have been at the centre of the credit crisis and subsequent banking crises. The material is treated in a technically sophisticated way and covers statistical issues, modelling of single and multi-name credits, counterparty risk, tail risk and securitization. An ideal primer and reference work which gives a comprehensive overview." --Martin Baxter, Nomura International, London

"Most chapters in the handbook are rigorously written with comprehensive literature reviews and self-contained technical details. With a big picture of the recent credit crisis, this handbook aims to provide an up-to-date quantitative perspective and a detailed toolbox for modelling credit derivatives. The editors and contributors have achieved their goal. This handbook should be on the shelf of every serious researcher and practitioner for reference on credit derivative modelling. I recommend this book without hesitation." --Long Kang, Journal of Applied Statistics

About the Author

Alexander Lipton is a Managing Director and Co-Head of the Global Quantitative Group at Bank of America Merrill Lynch, and Visiting Professor of Mathematics at Imperial College. Prior to his current role, he was Managing Director and Head of Capital Structure Quantitative Research at Citadel Investment Group in Chicago. He has also worked at Credit Suisse, Deutsche Bank, and Bankers Trust. Previously, he was a Full Professor of Mathematics at the University of Illinois, Chicago, and Consultant at Los Alamos National Laboratory. He is the patron of the 14-10 Club at the Royal Institution. He received his undergraduate and graduate degrees from Moscow State University. Professor Lipton is author of two books and editor of four. He has published numerous research papers on hydrodynamics, magnetohydrodynamics, astrophysics, and financial engineering. He has delivered many invited lectures at leading universities and major conferences worldwide.


Andrew Rennie has spent nineteen years in finance, specialising in derivatives pricing and risk management. He has worked at UBS, Rabobank International, and Merrill Lynch, where he managed all quantitative and modelling activity in derivatives across fixed income, credit, foreign exchange, commodities, and equities globally. He retired from Merrill Lynch in 2009 to advise on pricing and risk issues to governments, regulators, banks, and hedge funds. He graduated with a First in Mathematics from Cambridge University and published papers in Mathematical Chemistry on the properties of one-dimensional inclusion compounds. He co-authored a textbook on derivative pricing- Financial Calculus- and has also co-edited Credit Correlation - Life after Copulas.

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Minggu, 26 Juli 2015

~ PDF Ebook The Kubrick Facade: Faces and Voices in the Films of Stanley Kubrick, by Jason Sperb

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Many of Stanley Kubrick's films are often interpreted as cold and ambiguous. Whether viewing Barry Lyndon, 2001, The Shining, or Eyes Wide Shut, there is a sense in which these films resist their own audiences, creating a distance from them. Though many note the coldness of Kubrick's films, a smaller number attempt to explore exactly how his body of work elicits this particular reaction. Fewer still attempt to articulate what it might mean to "feel" Stanley Kubrick's films. In The Kubrick Facade, Jason Sperb examines the narrative ambiguity of the director's films—from the voice-over narration in early works, including the once forgotten Fear and Desire—to the blank faces of characters in his later ones. In doing so, Sperb shows how both devices struggle in vain to make sense of the chaos and sterility of the cinematic surface.

All thirteen of Stanley Kubrick's feature-length films are discussed in chronological order, from the little-seen and long-neglected Fear and Desire to the posthumous release of Eyes Wide Shut. Sperb also discusses Kubrick's importance to Steven Spielberg's AI. While exploring all of Kubrick's films, the author concentrates in particular on The Killing, Dr. Strangelove, 2001, The Shining, Full Metal Jacket, and Eyes Wide Shut.

This is also the first book-length study that focuses considerable attention on Fear and Desire and its relevance to Kubrick's larger body of work. In this respect, The Kubrick Facade is one of the first truly comprehensive books on narrative in the maverick director's films. It is also the first book to integrate a discussion of AI, and the first to fully explore the importance of the consistent visual emphasis on blank, silent faces in his post-Lolita films.

  • Sales Rank: #3176579 in eBooks
  • Published on: 2006-06-22
  • Released on: 2006-06-22
  • Format: Kindle eBook

Review
...examines the 'narrative ambiguity' of the director's films, 'from the voice-over narration in early works to the blank faces and characters in later ones.' (Film Review, August 2007)

...presents well-founded points...hardcore Kubrick fans and/or serious cinephiles will want to own [this book]... (Cinema Retro)

Ambitious, concise, convincing, and tightly argued, this book suggests Sperb as a formidable scholar with an amazing career ahead of him. Essential. (CHOICE, Vol. 44, No. 09 (May 2007))

Sperb (communication and culture, Indiana U., Bloomington) analyzes the narrative ambiguity that is characteristic of films by Stanley Kubrick. He examines each of Kubrick's 13 feature-length films in chronological order, paying particular attention to the visual emphasis on blank, silent faces in his post-Lolita works. Kubrick's influence on Steven Spielberg's AI is also discussed. A complete filmography listing primary cast and crew is found at the back of the volume. (Reference and Research Book News, November 2006)

About the Author
Jason Sperb teaches in the Department of Communication & Culture at Indiana University, Bloomington. He has contributed to such publications as Quarterly Review of Film and Video, Biography, Studies in the Literary Imagination, and Bright Lights Film Journal.

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Sabtu, 25 Juli 2015

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  • Published on: 2013-07-07
  • Released on: 2013-07-07
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Many Americans hold fast to the notion that gay men and women, more often than not, have been ostracized from disapproving families. Not in This Family challenges this myth and shows how kinship ties were an animating force in gay culture, politics, and consciousness throughout the latter half of the twentieth century.

Historian Heather Murray gives voice to gays and their parents through an extensive use of introspective writings, particularly personal correspondence and diaries, as well as through published memoirs, fiction, poetry, song lyrics, movies, and visual and print media. Starting in the late 1940s and 1950s, Not in This Family covers the entire postwar period, including the gay liberation and lesbian feminist movements of the 1960s and 1970s, the establishment of PFLAG (Parents, Families, and Friends of Lesbians and Gays), and the AIDS crisis of the 1980s and 1990s. Ending her story with an examination of contemporary coming-out rituals, Murray shows how the personal that was once private became political and, finally, public.

In exploring the intimate, reciprocal relationship of gay children and their parents, Not in This Family also chronicles larger cultural shifts in privacy, discretion and public revelation, and the very purpose of family relations. Murray shows that private bedrooms and consumer culture, social movements and psychological fashions, all had a part to play in transforming the modern family.

  • Sales Rank: #2225881 in eBooks
  • Published on: 2012-02-10
  • Released on: 2012-02-10
  • Format: Kindle eBook

Review

"Not in This Family represents both an important new direction for historical research in lesbian and gay studies and a useful addition to the literature on the American family."—Journal of American History



"Elegantly written and exemplary in its approach and method, bringing the 'evidence of experience' into conversation with social, cultural, political, and national contexts in ways that are both nuanced and deeply felt."—Journal of Family History



"Not in This Family is wonderfully fresh and innovative. Murray manages to train her eye on children and parents both and is especially adept at examining their exchanges, longings for understanding, and mutual frustrations. This generational angle also allows Murray to perceive larger transformations in norms of privacy, disclosure, and intimacy. Most impressive is her ability to show how new kinds of relationships between parents and children emerged as cultural politics shifted: from the 'gay banishment' motif of the early postwar period, to the liberationist confrontations of the 1970s, to the 'ritualized' parental empathy of the 1980s, to the coming-out narrative of the 1990s. On top of all that, the book is lucidly written and a pleasure to read."—Sarah Igo, author of The Averaged American: Surveys, Citizens, and the Making of a Mass Public

About the Author
Heather Murray teaches history at the University of Ottawa.

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Jumat, 24 Juli 2015

~ PDF Ebook Aeschylus I: The Persians, The Seven Against Thebes, The Suppliant Maidens, Prometheus Bound (The Complete Greek Tragedies), by Aeschylus

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Aeschylus I contains “The Persians,” translated by Seth Benardete; “The Seven Against Thebes,” translated by David Grene; “The Suppliant Maidens,” translated by Seth Benardete; and “Prometheus Bound,” translated by David Grene.
 
Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.
 
In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.
 
In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

  • Sales Rank: #142119 in eBooks
  • Published on: 2013-04-19
  • Released on: 2013-04-19
  • Format: Kindle eBook

About the Author
Mark Griffith is a professor of classics and of theater, dance, and performance studies at the University of California, Berkeley. He lives in Albany, CA.  Trained at Cambridge, Griffith is an enormously accomplished expert on the Greek Tragedies. Glenn W. Most studied at Harvard, Oxford, and Yale and is currently professor of ancient Greek at the Scuola Normale Superiore di Pisa, and a visiting member of the Committe on Social Thought at the University of Chicago.  He divides his time between Pisa, Florence, and Chicago. Richmond Lattimore (1906–1984) was a poet, translator, and longtime professor of Greek at Bryn Mawr College. David Grene (1913–2002) taught classics for many years at the University of Chicago. He was a founding member of the Committee on Social Thought.

Most helpful customer reviews

7 of 7 people found the following review helpful.
A good start to the introduction of the classic Greek tradgedies
By The Dungeon Master
This is the first book in a series of books that introduce the reader to the Greek tragedies. This book contains four plays by Aeschylus.

I enjoyed reading the plays and did not have a hard time at all understanding them. The introduction in the beginning of the book really helps by giving the background story of Aeschylus and a small rundown on the plays he wrote as well as who he competed against in playwright contests, and if he won the contest or not. That at least puts the plays into some sort of historical context.

The plays themselves are translated directly from Greek manuscripts, with no modern English thrown in to make it easier to read for the lay person, so if you are not familiar with this style of writing, it may be challenging to read for some. It is translated in similar fashion to Richmond Lattimore's versions of the Iliad and the Odyssey, so if you can read and understand those, you shouldn't have an issue reading these plays (Richmond did some of the translating on these plays).

On a higher level, due to the content of the plays and their context, it also sheds some light on what life was like for the ancient Greeks, and what their concerns were for the day.

I really enjoyed this book and plan on acquiring the other books in the series. I would recommend this book to anyone who is interested in studying the ancient Greeks and wants a little more than just information about them than just what can be found in a Greek Mythology 101 book or someone who wants to expand out beyond reading the Iliad and the Odyssey.

2 of 2 people found the following review helpful.
Five Stars
By Mavis Belisle
This is a different edition of a great translation.

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Senin, 20 Juli 2015

## Download PDF Genome Evolution of Photosynthetic Bacteria (Advances in Botanical Research)From Academic Press

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  • This thematic volume features reviews on genome evolution of photosynthetic bacteria

  • Published on: 2013-03-08
  • Released on: 2013-03-08
  • Format: Kindle eBook

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~~ Get Free Ebook 30 anni (e più) di adolescenza selvaggia (Miscellanea) (Italian Edition), by 4Tu

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Non è una biografia e nemmeno un romanzo..sono solo pensieri impensabili che ho fatto uscire da un amplificatore chiamato vita ovviamente a un volume esagerato …. C’è un mondo da mandare in overdrive, baby!

  • Published on: 2013-03-30
  • Released on: 2013-03-30
  • Format: Kindle eBook

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Kamis, 16 Juli 2015

* Ebook Download The Preppy Cookbook: Classic Recipes for the Modern Prep, by Christine E. Nunn

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The Preppy Cookbook: Classic Recipes for the Modern Prep, by Christine E. Nunn

Are you planning the menu for your local junior league’s next luncheon? Wondering what cocktail to sip on while spectating at Wimbledon? Searching for the perfect casserole that tastes just the way Mummy used to make it?

With answers to all these questions and more, The Preppy Cookbook will guide you, step by step, in creating a kitchen, and a world, that exemplifies the preppy lifestyle. This beautifully illustrated cookbook from Christine E. Nunn, the owner of Picnic, offers more than 125 perfectly tested recipes.

Readers will not only delight their taste buds with mouthwatering photographs of summer Lobster Rolls and The Perfect Pot Roast, but they’ll also discover The Preppy Cookbook is a cheeky, cover-to-cover read that is as witty as it is delicious. With droll but wise inflection, Nunn shares time-honored traditions and cites proper blue-blood etiquette. For example, always pick up asparagus with your fingers; never use a fork unless it is smothered in Easy and Perfect Hollandaise sauce. Brunch begins at 12:15 pm sharp. And gentlemen, when cocktailing, remember to bring a church key.

Whether it’s planning a wedding shower, serving hors d’oeuvres at the annual tree-trimming party, firing up a lobster bake in Maine, or finding the cure for a Sunday morning hangover, The Preppy Cookbook will provide you with an arsenal of great recipes for all occasions.

  • Sales Rank: #75639 in eBooks
  • Published on: 2013-08-27
  • Released on: 2013-08-27
  • Format: Kindle eBook

Amazon.com Review
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From Booklist
Beyond its droll, tongue-in-cheek attitude to cooking and entertaining as a socially acceptable diversion for the privileged classes, this compendium of recipes offers solid culinary guidance appropriate for anyone hosting a meal. A certified preppy herself, Nunn also boasts the unimpeachable credentials of a professional chef, so her recipes offer more reliability than the typical junior-league fund-raiser cookbook. Foods fall into categories dictated by the preppy calendar: summer parties at the lake cottage, Sunday brunches, society luncheons, and bridal and baby showers. Sandwich ideas range from down-market cheesesteak to luxurious lobster rolls. Some of the recipes, such as Nunn’s pot roast, work completely from scratch. At the other end of the spectrum, Nunn dispenses several pages of advice on using canned condensed soup as a shortcut. For every event, special cocktails and punches serve to loosen guests’ tongues for animated conversations. Both preppies and wannabes may find affirmation here. --Mark Knoblauch

Review
"An unapologetic, playful celebration of all things preppy, with cheeky rules and guidelines for stocking your liquor cabinet or packing the perfect picnic basket. The recipes are all very real, elegant but easy-to-make classics with a few modern twists developed by the longtime caterer." —The Star-Ledger

"Beyond its droll, tongue-in-cheek attitude to cooking and entertaining as a socially acceptable diversion for the privileged classes, this compendium of recipes offers solid culinary guidance appropriate for anyone hosting a meal. Both preppies and wannabes may find affirmation here." —Booklist

"The Preppy Cookbook has an abundance of the kind of food I love:  simple, fresh, and very tasty! It is truly magical how Christine takes iconic recipes and tweaks their flavor by introducing just the right herbs and spices and a little dash of her cooking flair. It makes for spectacular everyday food." —Julee Rosso, co-author of The Silver Palate Cookbook

Most helpful customer reviews

16 of 18 people found the following review helpful.
Scant means tad
By wogan
The subject of this book (besides recipes) is the preppy lifestyle. Much is done tongue in cheek, but also there is a great deal of truth here.
What happened to gracious living? Some of it is in these pages - when a lifestyle meant the `proper' way to do things. This is a nice cookbook. For some it will be like coming home to how their mothers entertained, or at least how they wish they did.
The recipes include; comfort food and casseroles, summer food and drinks, food for sports, food from around the world, brunch, the cocktail party, luncheon and showers, the holidays.

There are inserts and asides such as condensed soup as a mother sauce, the perfect summer sandwich and some menus: the perfect picnic, a preppy shower. What to stock in your preppy bar and pantry is also included. There are even very neat instructions for making dollhouse furniture out of champagne cork cages - Veuve Clicquot of course.

Some of the recipes are old standards and others a bit different. The philosophy is no low fat.
Our family has really enjoyed ; student's ragout, smoked salmon and Boursin quiche, pigs in a poke, and after several years of being stationed in England- grilled cheddar and Branston pickle sandwiches were like coming home - they sure put a smile on my daughters faces remembering their English school years.
This is almost retro cooking but fits very well in with today.

8 of 9 people found the following review helpful.
I loved this book!
By littlelillies
I was so excited to receive this book! As a hard core prep I couldn't wait to curl up with it on my window seat overlooking the beach. Ok, so I don't have one, but reading the book made me feel like I do! The stories and the photographs elicit a feeling of a world where people care about manners and etiquette. Family and friends get together, and don't focus on impressing each other, rather on enjoying each others' company. I made the pork roast, and no one could believe I am actually someone who doesn't like to cook. It was delicious! I am more of a baker. I loved the nut rolls. I have never made anything like them before. Whether you are a foodie, a prep, or a sophisticate who appreciates a good chuckle, you will love this book. Not just a cookbook, a great read!!
The Preppy Cookbook: Classic Recipes for the Modern Prep

13 of 16 people found the following review helpful.
I really enjoyed this cookbook!
By Delaney
From her mother's Christmas cookies, to lobster rolls, to why gentleman use a turn key I enjoyed reading this cookbook and using it. My girlfriends and I get together once a month at someone elses house for cocktails and dinner. We all try to outdo each other and more often than not, over imbibe and have brunch together the following morning. Thanks to the preppy cookbook we can do it all without having to slum.

The cookbook is written with witty sass from a preppy to those who might be preps and to those who want to be and those who aren't. I'm not a prep, just like to cook and have a lot of preppy people in her circle.

My mother appreciated one of the meals that I copied from this book, from cocktails to dessert. She felt I was finally becoming a lady. I assured her I was no such thing.

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Rabu, 15 Juli 2015

> Free Ebook Starship: Mutiny: Mutiny Bk. 1, by Mike Resnick

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Starship: Mutiny: Mutiny Bk. 1, by Mike Resnick

The starship Theodore Roosevelt is fighting on the far outskirts of a galactic war, its crew made up of retreads and raw recruits. A new first officer reports, Wilson Cole, a man with a reputation for exceeding his orders (but getting results). He's been banished to the Teddy R. for his actions, but once there he again ignores his orders. ...

This is the first of five novels about the starship Theodore Roosevelt. The next four will be, in order, Pirate, Mercenary, Rebel, and Flagship.

  • Sales Rank: #759242 in eBooks
  • Published on: 2009-12-04
  • Released on: 2009-12-04
  • Format: Kindle eBook

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39 of 40 people found the following review helpful.
Too Clever by Half.
By Magnus Liber
Starship: Mutiny is supposed to be space opera about a character who is so competent and clever that he doesn't fit in to the military establishment. A fine idea, but Resnick doesn't pull it off.

Some spoilers ahead.

The problem with creating a character who is supposed to be supremely clever is that the writer has to be as clever as the character is supposed to be. Resnick isn't up to the task and fudges. His main character uses ridiculously confident assertions and pretends they are clever deductions based on the facts at hand. In one instance Cole comes across two destroyed ships in space and an vessel enemy who chases him only a certain distance before giving up the chase. From that and that alone he confidently asserts that the **only** possibility is that the vessel is A) guarding a meeting of individuals and B) the meeting is on some nearby planet, and bets the life of his shipmates on it. What????? That wild guess is supposed to be clever? Resnick tries to pass off such guesses as extreme cleverness and it doesn't work.

In another scenario, Cole finds enemy troops from a distant planet in an unpopulated volcanic mountain range on another planet. From that, and that alone, he deduces that A) the enemy's planet is out of energy and B) has come to quickly steal energy from the volcanoes--all without any other knowledge of the enemy or of any sort of volcano energy stealing technology. And, of course, it makes soooooo much sense to steal heat energy from a volcano to transport back by spaceship to the enemy's home planet when you have **spaceships** that can approach stars. It is like reading a science fiction plot by an elementary school student.

There are some engaging elements in Starship Mutiny, enough to make me read to the end to find out what happens, but the story is filled with the "clever" Commander Cole explaining himself at length to show off how clever he is. Since Cole isn't actually clever that makes for way too much talking and only serves to emphasize aggravating gaffe after gaffe. Cole never comes off as legitimately competent, nor does he even seem to have the knowledge of ships and ship handling that a twice demoted captain who has had command of two large vessels should have.

I like many of Resnick's other works. His attempts in this genre just don't work for me. For light space opera authors like Elizabeth Moon, Lois McMaster Bujold and even David Drake's light space opera RCN series are all vastly superior.

19 of 21 people found the following review helpful.
Unimpressive and Shabby Boilerplate
By L. Pittenger
This series was the first Resnick I've read, and I was heartily disappointed, especially given the awards the author has won for other books.

One doesn't expect high literature from just-for-fun scifi entertainment, but one does expect substantially more thought, effort and care to go into it than I found in this series, which seems inadequately conceived, inattentively written, and poorly edited.

(Mild spoilers alert)

The series' strong point is its focus on mind over matter: the protagonist outsmarting his enemies. That's always fun. There are also some entertainingly conceived characters - the alien who has decided to mimic Victorian dress and mannerisms is quite amusing, as is the red-headed pirate queen.

But those are about the only positive things in it.

The "world" of the series as a whole is poorly and inadequately conceived. Weapons, tactics, science, communication, geography, politics - none of these are credible or consistent, but morph around whatever the needs of the current "plot puzzle" is. This stretches from big things - no consistency in issues of communication, transportation, and interstellar travel (when these things are even addressed at all) - to little things (e.g. at one point the crew has drugs which can make anyone reveal anything; later we're told that only torture can elicit information; later again both are options).

The characters - even the entertainingly conceived ones (whom the author quickly manages to make boring) - are flat and static throughout the entire series. Their actions, interactions, conversations and conflicts are just variations on the same themes, over and over, with little change, development or nuance.

Even the writing is repetitive and bland: for instance (one example among several), as the hero wanders rather aimlessly from room to room in his ship (which he does a lot), more often than not he steps out of one room and "a moment later" steps into the next. The question of the ship's layout - and relative proximity of the rooms - aside, surely it would be possible to provide a bit more linguistic variety rather than constantly reusing the same cookie-cutter phrases. (There's also a lot of people "noting", as a synonym for "saying", which always annoys me, but that's just a pet peeve.)

For those who expect military tactics or strategy, look elsewhere. It's not just that military concerns are not the focus of the series (which is fine, even refreshing), but that any sort of intelligent use of weapons or tactics seems to be all but completely missing from this universe (except for the hero's of course): the antagonists use their ships and plan their actions so poorly and incompetently that a seven year old could defeat them. Basically, except for the protagonist, the whole rest of the universe (including his crew) must be assumed to be incredibly stupid and incompetent, else the fellow wouldn't last five minutes. It's not just that the hero's assumptions are *always* right (even when there are several equally rational and plausible interpretations of a situation), but that the "baddies" overlook the most obvious ways to defeat him.

For example, a set of baddies, knowing that they're going to meet an enemy, send two of their number in to negotiate without keeping in any sort of communication with them. The hero can then explain his identity and plans to them, incapacitate them, sneak out and neutralize the rest of the landing party, and then take over their orbiting ship... all because the baddies, apparently, are too stupid to keep in touch with each other or monitor the situation. Simply not credible.

This is a flaw not just with specific scenes but with the general "setting" of the stories. E.g. with apparently instantaneous communication across thousands of light years (which is never explained), the huge enemy Republic of millions of ships and overpowering might and manpower still doesn't have *any* agents in the fringe areas (areas they regularly visit) to alert them of the hero's whereabouts, even when said hero is broadcasting his presence and intentions on open channels in a major fringe world space station (which the Republic regularly visits for clandestine meetings), holding thousands of transient humans & aliens, any one of whom could easily be a Republic agent.

Toward the end of the final book, the hero has to confront the Republic's chairman in person - which he does by a ruse, being taken to see him as if captured. We are told - repeatedly - that the chairman's office is the most heavily guarded room on the most heavily guarded planet in human history. The security officer who escorts them has his id chip scanned and bone structure analyzed before he can even get into the building. The (supposed) prisoners are even scanned for microscopic bombs before being allowed in to the office. And yet the supposed navy "captors" (actually the hero's accomplices who are impersonating Republic officers) are never so much as asked for a photo id. Not only does no one check to see if they are who they pretend to be, they are even let in to the chairman's office *with their weapons*. Like so much of the series, this leaves the reader thinking "this makes no sense". No, it doesn't. But it's the "brute force" way to get to the situation the author wanted.

In brief, all the "conflicts" and "adventures" are structured around creating situations in which the "clever hero" can impress his (fairly obtuse) crew and outwit the "baddies" - and everything is warped to make those (often quite threadbare) scenarios work out, regardless of how completely unrealistic or inconsistent the resulting situation and universe - and the characters - are forced to become in order to accommodate the sloppy conception and execution.

Additionally, much of the series is just boilerplate. Occasional whole paragraphs of description (e.g. of what a certain alien looks like) are repeated more or less verbatim between books. The same conversations on the same topics - even using the same phrases and jokes - likewise repeated, sometimes even within the same novel.

Little care seems to have been taken with the proofing or editing, and not just in little things (e.g. the use of "they" when referring to a single person.) For example, in one scene, the hero is going by a different name in order to fool the pirates (typically incompetent and without the least tactical sense or knowhow) who are boarding his ship. One crewman uses the hero's actual name, not the proper pseudonym. No one notices. In another scene, the hero and his officers are meeting in a restaurant. A call come in, and suddenly they are sitting in the office 3 floors down as he takes the call. Perhaps one of the most glaring, a fairly significant minor character in the 4th novel is dead at the end of that story and alive at the beginning of the next. This sort of inconsistency isn't uncommon in a novel's early drafts, but it's the kind of thing which decent editing (both by the author and the reviewer) is supposed to catch. Doesn't seem to have happened with this series.

All in all, if you want some boiler-plate sci-fi to read (or listen to) that requires little attention or thought (and, truth to tell, that doesn't reward such attention), this series is tolerable. Might make a good thing to listen to while repainting your living room, for example, or doing something else when most of your attention is elsewhere. But if you want books which have a thought-out and consistent world, realistic or compelling characters, believable antagonists, and a credible military or psychological or scientific setting - or even a series which treats its readers with the basic intellectual courtesy and honesty of having made a reasonable effort to present a credible setting and story -- best to look elsewhere. You won't find it here.

(Note: this review covers the whole series, and is based on listening to the unabridged audiobook version. While the large structural & conceptual flaws & failings of the series are doubtless original with the print version, it's at least possible that some of the specific examples [e.g. use of the wrong name] stem from an error in the audio version. I haven't sat down and compared the two formats.)

32 of 38 people found the following review helpful.
Punishemnt of Competence
By John A Lee III
In this easy reading story, the protagonist is an extremely competent naval officer with a record of success in the long war that forms the background of the story. The problem is that the success has come at the price of embarrassing senior officers who are less than competent. So while his success protects him, it also sends him into exile where it is hope he will not further embarrass his seniors. He is demoted and sent as second officer to a ship crewed by misfits in a sector without any possibility of seeing action. The plan does not work as predicted.

The plan does not work because the officer IS competent. He sees signs of enemy activity and acts on them. He does so with brilliance and success...and further embarrassment to his seniors. The reward for his excellence is punishment. The steps he takes to protect himself are dire.

The book is well written and light. It is enjoyable without requiring overmuch in the way of thinking. It is mild amusement and I will gladly read any sequels.

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