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The Bohemians, by Marquis de Pelleport, Anne Gedeon Lafitte
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While the marquis de Sade was drafting The 120 Days of Sodom in the Bastille, another libertine marquis in a nearby cell was also writing a novel—one equally outrageous, full of sex and slander, and more revealing for what it had to say about the conditions of writers and writing itself. Yet Sade's neighbor, the marquis de Pelleport, is almost completely unknown today, and his novel, Les Bohémiens, has nearly vanished. Only a half dozen copies are available in libraries throughout the world. This edition, the first in English, opens a window into the world of garret poets, literary adventurers, down-and-out philosophers, and Grub Street hacks writing in the waning days of the Ancien Régime.
The Bohemians tells the tale of a troupe of vagabond writer-philosophers and their sexual partners, wandering through the countryside of Champagne accompanied by a donkey loaded with their many unpublished manuscripts. They live off the land—for the most part by stealing chickens from peasants. They deliver endless philosophic harangues, one more absurd than the other, bawl and brawl like schoolchildren, copulate with each other, and pause only to gobble up whatever they can poach from the barnyards along their route.
Full of lively prose, parody, dialogue, double entendre, humor, outrageous incidents, social commentary, and obscenity, The Bohemians is a tour de force. As Robert Darnton writes in his introduction to the book, it spans several genres and can be read simultaneously as a picaresque novel, a roman à clef, a collection of essays, a libertine tract, and an autobiography. Rediscovered by Darnton and brought gloriously back to life in Vivian Folkenflik's translation, The Bohemians at last takes its place as a major work of eighteenth-century libertinism.
- Sales Rank: #2693078 in eBooks
- Published on: 2011-07-07
- Released on: 2011-07-07
- Format: Kindle eBook
Review
"Who could resist the pleasure of discovering not only an unknown eighteenth-century writer (scoundrel, adventurer, charmer, reprobate) but also his long-lost masterpiece—a picareque novel that is at once bildungsroman, autobiography, libertine treatise, and roman a clef? . . . Witty and outrageous, the novel was lost as soon as it was published in 1790. Today, beautifully translated into English by Folkenflik, it seems remarkably modern. . . . Essential."—Choice
"There is every reason to be grateful for this exemplary edition of a text that should have taken its place long ago on the shelves of any reader interested in eighteenth-century culture and philosophical tales. Vivian Folkenflik's elegant, literary translation respects the novel's playful energy and fully conveys what she describes as the 'semi-complicit relationship Pelleport establishes with his readers.'"—H-France Reviews
About the Author
Vivian Folkenflik is Lecturer in the Humanities at the University of California, Irvine, and editor and translator of An Extraordinary Woman: Selected Writings of Germaine de Stael. Robert Darnton is Carl H. Pforzheimer University Professor and Director of the Harvard University Library and the author of The Devil in the Holy Water, also available from the University of Pennsylvania Press.
Most helpful customer reviews
1 of 1 people found the following review helpful.
A Notable Rediscovery
By Steven Moore
This is a previously unknown example of the premodern French experimental novel, a genre that began with Rabelais and includes Barthelemy Aneau’s “Alector,” Charles Sorel’s anti-novels (a term he coined), Paul Scarron’s “Comic Novel” (alluded to near the end of chap. 9 of “The Bohemians”), Antoine Furetiere’s “Bourgeois Romance,” Adrien-Thomas de Subligny’s “The Mock Clelia,” Laurent Bordelon’s “Monsieur Oufle,” several of Marivaux’s early novels, Claude-Prosper de Crebillon’s “The Skimmer,” Denis Diderot’s “Jacques the Fatalist,” and Xavier de Maistre’s “Voyage around My Room.”
However, Pelleport’s main influences, as Robert Darnton points out in his very full and informative introduction, were “Don Quixote” and “Tristram Shandy.” Like Cervantes’ novel, “The Bohemians” is a road novel with many digressions, and like Sterne’s novel it is deliberately eccentric and metafictional. Though rather slapdash and not entirely successful, “The Bohemians” offers a raw look at life in 18th-century France--he shows that it was a boil that needed to be lanced by the Revolution--and how awful the life of an minor author was (is). It is more sexually explicit than most French novels of the period, bordering on pornography at times, though more farcical than obscene.
Darnton is to be congratulated for rescuing this outlandish novel from oblivion, and Vivian Folkenflik for her smooth, faithful translation. A model scholarly edition, the 148-page novel is preceded by 40 pages of front matter and followed by 44 pages of copious annotations (though the Scarron allusion is unnoted). Five stars for the edition, three stars for the novel itself.
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